In the wake of George Sand conquered by the wild beauty of the Valley of the Creuse, many artists find these varied landscapes with changing colors. In the mid nineteenth century, thanks to the railway that many painters, freed from the constraints of the studio with the development of paint tubes, come to paint outdoors.
The Creuse Valley sees the largest experiment to their painting, Monet, Guillaumin among the Impressionists, Post-Impressionists Maillaud and follow the Detroy, the Expressionists as Osterlind and Emile Othon Friesz or even Picabia.
Their works are recognized worldwide and exhibited in major museums around the world, from Paris to New York via Copenhagen.